Giving voice to AAPI art and culture in NYC and beyond.
Interviews

Chang Yuchen on Love, Loss, and the Mediated Self

Chang Yuchen’s video installation “For those who share mornings and evenings” (2025), presented late last year at Smack Mellon, is an ambivalent portrait of presence, capture, collaboration, and longing through media. Writer Nicole Kaack spoke with Chang about intimacy in virtuality, affective mediation, and attempts at tactility in the ether.
By Nicole Kaack
By Nicole Kaack
Essays

The Amp Issue 3: Letter from the Editor

By Shannon Lee
Profiles

Remembering Christine Choy, Groundbreaking Documentarian

By Shannon Lee

Donate to The Amp!

If you believe AANHPI artists, musicians, dancers, filmmakers, writers, and actors deserve a home for critical conversations that are by and for us, support The Amp today!
Donate Now
Learn more about The Amp

Essays

The Amp Issue 3: Letter from the Editor

By Shannon Lee

Who is This Music For?: Access in Counterculture

By Leo Chang

Returning Home: Growing up as a Chinese Bolivian Immigrant

By James Huang

Films to See at the 48th Asian American International Film Festival

By A4 Staff

AAPI Artists On American Wars

By Shannon Lee

Asian Diasporic Stories at the 2025 Tribeca Film Festival

By The Amp

“Maybe Happy Ending” Considers the Futures of Love

By Sophia Park

Mengwen Cao on Photographing Queer and Trans AAPI Artists

By Mengwen Cao

Finding Happy Endings for Queer Daughters in AAPI Cinema

By Sidnee Lim

The Amp Issue 2: Letter from the Editor

By Shannon Lee

The Enduring Influence of Rupi Kaur on AAPI Poetry

By Nimarta Narang

Reflections of an American Soldier

By William Chan
View All

Profiles

Remembering Christine Choy, Groundbreaking Documentarian

By Shannon Lee

Sabina Sethi Unni Merges Street Theater with Climate Resiliency

By Jess Zhang

The Expansive Vocabulary of Ishita Mili’s IMGE Dance Company

By Ashna Ali

Gia Fu Traces the Cross-Cultural Rhythms of Salsa Music

By Coral Yang

AAPI Community Filmmakers on the Rise: Anthony Banua-Simon

By Tracy Chung

Musician and Comedian Charlene Kaye Transforms Shame into Raucous Pride

By Joyce Keokham

Shyama Golden’s Demons

By Pramodha Weerasekera

CAO Collective Bridges Art, Healing, and Community

By Hannah Zhang

AAPI Filmmakers on the Rise: Sean Wang

By Nate Shu

Artist Michael Wang Challenges Visions of Apocalypse as Ruin

By Leo Kim

How Nobuko Miyamoto Set the Asian American Movement in Motion

By Ryan Lee Wong

Actress Shirley Chen Seeks Complicated Truths in Her Roles

By Amber X. Chen
View All

Reviews

Tracing the Migratory Histories of the Sari at the New York Historical

By Nimarta Narang

AAPI Artists Reinterpreting Tradition at The Shed’s “Open Call: Portals”

By Bri Ng Schwartz

“Monstrous Beauty” Offers Oceans of Possibilities for Asian Femininity

By Hannah Bae

“Chinatown Cha-Cha” Pays Homage to the Golden Era of Chinatown Nightclubs

By Kathy Ou

“A Silence So Loud” Demands Careful Listening

By Hindley Wang

Interrogating the Foreignness of Language in “English”

By Lili Emtiaz

“Offerings for Escalante” Traces the Webs of Labor, Resistance, and Ecology

By Isabel Ling

“Magazine Fever” Lays Out the Cycles of AAPI Identity

By Mimi Wong

Hyeree Ro’s “Niro” Takes Us on the Immigrant Journey

By Taeyi Kim

In “BAR,” Artist Rujuta Rao Tends to the Entangled Histories of Feni

By Pallavi Surana

What the Legacies of Past Generations of AAPI Artists Might Teach Us About Our Current Moment

By Claire Voon

“Yellow Face” Satirizes the Limitations of Representation

By Katie Gee Salisbury
View All

Interviews

Chang Yuchen on Love, Loss, and the Mediated Self

By Nicole Kaack

Meropi Peponides and Remoy Philip on Performing the Revolution

By Shannon Lee, Meropi Peponides, and Remoy Philip

Suniko Bazargarid on Reflecting the Bureaucreacies of Migration

By Jenny Jiani Wang and Suniko Bazargarid

Eiko Otake and Wen Hui on “What is War”

By Jenny Wu, Eiko Otake, Wen Hui

Filmmaker Neo Sora on Surveillance Aesthetics, Japan, and Palestine

By Zachary Lee and Neo Sora

Sheida Soleimani on Creating Political Poetry Through Images

By Yasi Alipour

Usman Riaz on Creating Pakistan’s First Hand-Drawn Animation Studio

By joyce keokham

Li Jun Li and Yao on Representing Asian Americans in the South in “Sinners”

By Zachary Lee

Lotus L. Kang on Mirroring, Roots, and In-Betweenness

By Gladys Lou

Playwright Ghina Fawaz on Processing History from Within

By Ghina Fawaz and Shannon Lee

Christine Sun Kim on Motherhood, Rage, and the Future

By Diana SeoHyung

W.O.W. Project’s Mei Lum and lucky risograph’s Amanda Chung on Supporting Chinatown through Art

By Mei Lum, Amanda Chung, and The Amp
View All

News

A4 announces awardees of the 2026 What Can We Do? artist grant

By A4 Staff

A4 Welcomes Curatorial Intern Sydney Suh

By A4 Staff

A4 APPOINTS GEORGE HIROSE TO BOARD OF DIRECTORS; NAMES MICHELLE PHAM AND SERINA YAMADA AS BOARD CO-PRESIDENTS; BINDU GEORGE AS VICE PRESIDENT; AND JOSH CIPKALA-GAFFIN AS TREASURER

By A4 Staff

A Letter from the Executive Director

By Lisa Gold

A4 Welcomes Bloomberg Arts Intern Amanda Ro

By A4 Staff

A4 Welcomes 2025 Anjeli Jana Memorial Intern Adeline Baban

By A4 Staff

A4 ANNOUNCES 20 RECIPIENTS OF $500,000 ARTS FUND GRANT PROGRAM

By A4 Staff

A4 Welcomes 2025 CUNY Cultural Corps Intern Elvie Luo

By A4 Staff

A4 Welcomes Bloomberg Arts Intern Vienna Chen

By A4 Staff

A4 and MoCADA Announce 2025 Bandung Residents

By A4 Staff

A4 Appoints Leo Chen and Mohmeet Kaur to Board of Directors

By A4 Staff

Asian American Arts Alliance Selected As Fiscal Sponsor for National Asian Pacific American Museum Commission

By A4 Staff
View All