Asad Raza has been creating multi-sensory and “metabolic” encounters in the art world for the past decade, guiding audiences into embodied experiences with materials like soil, water, trees, and electricity. His work—spanning video, installation, sculpture, and then some—is often activated by people, dissolving disciplinary boundaries and between audience and artist.

For his latest show, “Thigmotaxis (the rat show)” at times through December 12th, Raza created public sculptures for the rats of New York City. Rafay Rashid, a musician who happens to be the artist’s cousin and frequent collaborator, spoke to Raza about his practice and the current exhibition.