Reviews Archive

Reviews

“Here Lies Love” is a Troubling, if Entertaining, Take on Filipino History

By Rohan Zhou-Lee
Aug 11, 2023
Reviews

“Fly in Power” Gives Voice to Asian Migrant Massage Workers

By Kathy Ou
Jul 25, 2023
Reviews

Memory is Cyclical in Tuan Andrew Nguyen’s “Radiant Remembrance"

By Jacinda Tran
Jul 24, 2023
Reviews

An Autobiographical Fantasia, Told via Spam

By Caroline Cao
Jul 5, 2023
Reviews

Living the Blues in Wesley Du’s “Hong Kong Mississippi”

By Caroline Cao
May 8, 2023
Reviews

Artist TJ Shin De-Sanitizes Natural History

By Shannon Lee
Apr 18, 2023
Reviews

Chol Soo Lee’s Complicated Heroism and Legacy

By Jasmine Liu
Apr 14, 2023
Reviews

Artist Bang Geul Han Charts Borders and Desire Lines

By Jenny Wu
Apr 3, 2023
Reviews

Jumana Manna Excavates History, Ecology, and Culture in Palestine

By Osman Can Yerebakan
Mar 27, 2023
Reviews

Tommy Kha’s “Ghost Bites” Leaves Deep Impressions

By Jacinda Tran
Mar 13, 2023
Reviews

Sin Wai Kin’s Surreal Performance Blurs Definitions

By Sasha Cordingley
Mar 7, 2023
Reviews

Revealing Adoption’s Invisible Strings in “Wolf Play”

By Caroline Cao
Feb 20, 2023
Reviews

Nam June Paik’s Lifetime of Alienation

By Danielle Wu
Feb 13, 2023
Reviews

“This is Home” Captures the Everyday Beauty of Community

By Shannon Lee
Jan 24, 2023
Reviews

Rumanna Hussain’s Ode to Revolutionary Muslim Women

By Shilpi Chandra
Jan 17, 2023
Reviews

“The Far Country” Claws into the Wounds of Erasure

By Caroline Cao
Dec 12, 2022
Reviews

“Good Enemy” Underscores the Importance of Sharing Stories of China’s Cultural Revolution

By Jasmine Liu
Nov 29, 2022
Reviews

An Art Book with Teeth: Tammy Nguyen’s “O”

By Jenny Wu
Nov 15, 2022
Reviews

The Intimate Gaze of “Oscar yi Hou: East of sun, west of moon”

By Wilson Wong
Nov 8, 2022
Reviews

Bharti Kher’s “Ancestor” Captures the Complex Nuances of Motherhood

By Mira Dayal
Nov 1, 2022
Reviews

Framing Visibility in “Photographic Justice: A Tribute to Corky Lee”

By Jacinda Tran
Nov 1, 2022