Reviews Archive
Reviews
In “BAR,” Artist Rujuta Rao Tends to the Entangled Histories of Feni
By Pallavi Surana
Nov 11, 2024
Reviews
What the Legacies of Past Generations of AAPI Artists Might Teach Us About Our Current Moment
By Claire Voon
Oct 28, 2024
Reviews
“Yellow Face” Satirizes the Limitations of Representation
By Katie Gee Salisbury
Oct 8, 2024
Reviews
“Admissions Granted” Revisits the Overturning of Affirmative Action
By Kathy Ou
Jun 30, 2024
Reviews
“Photographic Justice: The Corky Lee Story” Offers an Intimate Portrait
By Amanda Chen
Apr 15, 2024
Reviews
Eric Firestone’s Godzilla Show Offers a Broad but Shallow Overview
By Zach Ngin
Feb 29, 2024
Reviews
“Public Obscenities” Subverts What’s Expected of a Queer Indian Play
By Anjor Khadilkar
Feb 21, 2024
Reviews
“Rirkrit Tiravanija: A LOT OF PEOPLE” Invites Us to Reimagine Possibility
By Alex Ito
Nov 28, 2023
Reviews
In Sahana Ramakrishnan’s “An Ocean of Time,“ All Living Beings are Interconnected
By Isha Sharma
Oct 18, 2023
Reviews
“Nowhere Near” Reflects the Fractures of Being an Undocumented Filipino American
By Caroline Cao
Oct 16, 2023
Reviews
“Here Lies Love” is a Troubling, if Entertaining, Take on Filipino History
By Rohan Zhou-Lee
Aug 11, 2023