Archive

Interviews

Arooj Aftab, Shahzad Ismaily, and Vijay Iyer on Love in Exile

By Arooj Aftab, Shahzad Ismaily, Vijay Iyer, and Shannon Lee
Jul 13, 2023
Reviews

An Autobiographical Fantasia, Told via Spam

By Caroline Cao
Jul 5, 2023
Essays

4 AAPI LGBTQ+ Photographers Capturing Artists They Admire

By Leo Foo, Shravya Kag, Justin J. Wee, Chen Xiangyun
Jun 28, 2023
Profiles

Mira Nair on Bringing “Monsoon Wedding” to the Stage

By Naveen Kumar
Jun 27, 2023
Essays

11 AAPI Dancers Based in Queens

By A4 Staff
Jun 13, 2023
Interviews

Director Celine Song on Her Debut Film, “Past Lives”

By Celine Song and Shannon Lee
Jun 13, 2023
Interviews

Artist Maia Ruth Lee on Finding Meaning in Rootlessness

By Maia Ruth Lee and Shannon Lee
May 30, 2023
Interviews

Rahill Jamalifard on Writing Music as the Daughter of Iranian Immigrants

By Rahill Jamalifard and Shannon Lee
May 16, 2023
Interviews

Arlan Huang and Howie Chen on Art and Activism

By Arlan Huang and Howie Chen
May 15, 2023
Essays

5 Up-and-Coming AAPI Comedians

By A4 Staff
May 4, 2023
Profiles

Jessica Chen’s Defiant Choreography

By Rohan Zhou-Lee
May 4, 2023
Reviews

Artist TJ Shin De-Sanitizes Natural History

By Shannon Lee
Apr 18, 2023
Reviews

Chol Soo Lee’s Complicated Heroism and Legacy

By Jasmine Liu
Apr 14, 2023
Reviews

Jumana Manna Excavates History, Ecology, and Culture in Palestine

By Osman Can Yerebakan
Mar 27, 2023
Profiles

Benjamin Akio Kimitch Battles Cultural Assumptions Through Dance

By Noa Rui-Piin Weiss
Mar 27, 2023
Interviews

Shahzia Sikander On Using Art to Inspire Possibilities

By Shahzia Sikander and Shannon Lee
Mar 21, 2023
Reviews

Tommy Kha’s “Ghost Bites” Leaves Deep Impressions

By Jacinda Tran
Mar 13, 2023