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Director of Institutional Advancement
strives to make Los Angeles a theatre destination for audiences and artists from around the world ..pandemic, annual expenses for CTG ranged from $45 million to $60 millionIn October 2020, CTG ..nurture its artistsThe CTG staff has created new works for the Digital Stage in addition to sharing out
Event
03/10/22 – 03/30/22
Making Fools Pray to God
rest on them implacably for good or for badThe place of saints was taken over by certain humans ..those new ‘pontifical’ sources arresting them for the viewer inside Light Box formats measuring 14 x ..saints themselvesIn the room divided by curtains, three church-style benches will be available for
Opportunity
Portable Studio Program Coordinator
Portable Studio Program Director and is responsible for maintaining the day-to-day operations of ..and training opportunities ,as well as preparations for public performancesSupport the ..in lectures, panels, training, conferences and focus groups for Arts and Culture as it relates to
Opportunity
Public Engagement Manager
Day for Educators * Strategize, Produce and/or manage education components that accompany ..team * Manage timelines and deliverables for all education programs * Manage and work with freelance ..initiatives and opportunities for Education, Public Programs and Community Initiatives * Work with
Opportunity
Director, Playwrights Horizons Theater School
and long- term goals for the theater school program - Build and foster a vital and creative ..community for students, faculty and staff- Represent the school to both its internal and external ..Review process, an assessment component of the annual application cycle for incoming students
Opportunity
Production Manager
Director and Managing Director and has primary responsibility for the budgeting, contracting and ..long-term budgets as necessary - Administer payroll for all shows and events in coordination with ..hiring of technicians for all shows - Evaluate and maintain all theatrical systems including: sound
Opportunity
Programming Associate
creation of new work for artists launching their careers and experimenting within their art formFrom the ..welcoming, generative spaceSteward The Tank as a home for emerging artists, embodying our mission ..their resume and cover letter to Managing Producer Molly FitzMaurice at hr@thetanknyc.orgFor
Opportunity
Director of Equity and Inclusion Initiatives
organization○ Partner with Human Resources Staff to organize annual trainings for anti-racism .., anti- bias, bystander intervention and sexual harassment prevention for board and staff○ Be a ..organization more accessible for people with disabilities● Partner with Human Resources to
Event
06/26/23
爻 yáo collaborative Dumpling Party
right now, we'd still love to have youNo one will be turned away for lack of fundsEmail us at .., exploring pathways towards alternative structures, systems and interfaces for humans and machines ..infiltrating digital spaces with physical bodies as tools for intervention, wielding their love/hate
Event
06/05/24 – 06/29/24
HIROKO SAIGUSA: WABI SABI IN ACTION
States) period (AD1467-1590), where amidst in intense fighting, the tea ceremony held a special place for ..herself in a similar processShe intuitively selects colors, shapes, and textures for her paintings ..work includes stage costumes and flyers for PLANET MAYA, commissioned by musician and yoga charisma
Opportunity
Director of Digital Marketing and Sales
The Wilma Theater, winner of the 2024 Tony Award for Regional Theatre, creates living, adventurous ..presenceThis role owns revenue and expense goals for the marketing department-Working ..Marketing & Product will lead the customer experience, be responsible for the vision and strategy of all
Event
11/07/24 – 11/13/24
Japan Contemporaries Series 10 | Juried Open Call | STEPPING INTO A WORLD IV
writer Motoichi Adachi and New York-based curator Kyoko Sato, known for promoting Japanese cultureThis ..Japanese artists into the New York art sceneThe judges for the open call were DrLes Joynes ..approach the art world with the same mindset that I’ve used for many years in the Japanese TV industry